On Saturday we put the clocks forward, "Spring forward, fall back" is how we remember it. We have had a few days of spring sunshine but for the most part it has been cold and wet. All the more reason to get on with the frenzy of spring cleaning. This year I was determined to clear out my studio/dining room, no easy task but I am now rewarded with a place for everything and everything in its place. Calm and order prevail, where there was chaos now there is peace! I can't tell you how happy I was painting this little miniature, listening to radio 3 in my freshly painted and decorated room.
I am ridiculously pleased with my new purchase, a funny little oak cupboard found in a junk shop in Leek. It now houses my paints and arty stuff and I wonder why I have never before thought of such a thing.
We had a trip to London to visit our son and his partner. This time we went on a jazz cruise on the Thames. It was an evening affair with live music, sparkling wine and a three course meal below deck. In the background you can see the Globe theatre. I have never lost my delight in visiting our capital city, every time we find something new.
Thankfully we found time to visit this exhibition of illustrated books and prints at Manchester MMU Library, Special Collections, albeit on the very last day. As a textile designer/illustrator I was especially attracted to the works of Enid Marx. If you missed it you can view it online here- "An exhibition of prints and illustrated books from the collection of Julian Francis and including work by Edward Ardizzone, John Farleigh, Barnett Freedman, Lucian Freud, Eric Gill, Enid Marx, Agnes Miller Parker, John and Paul Nash, John O'Connor, and Eric Ravilious."
in February we visited The John Rylands Library in Manchester to see The
Tregaskis Collection- a unique collection of beautiful bindings. The
collection forms two parts - the first comprises of 73 copies of the Kelmscott
Press’s Tale of King Florus and the Fair Jehane (1893). The books were bound by
the most important binders of the day from all around the world and were
commissioned by the booksellers James and Mary Lee Tregaskis. We were shown around the library by John Hodgson who is the keeper of manuscripts and archives at the library. We were allowed
to pick up the books and inspect the contents and to take photographs.
With so many exquisite bindings to choose from, it is hard to know where to start. I was immediately drawn to the embroidered bindings. Walter Crane designed one of the bindings, which was embroidered by his wife.
We marveled at the tiny stitches in this silk embroidery on
the Japanese binding.
The second part of the collection was a
centenary celebration of bookbindings commissioned by The Designer Bookbinders.
This time over eighty copies of The Folio Society edition of Andrew Marvell’s The
Garden and Other Poems illustrated by Harry Brockway was the chosen book. I particularly loved the
tiny wood engravings and marveled at the artistry of both the illustrator and
Some of our party are fellows of The
Designer Bookbinders and had bound some of the books on display. The photograph
shows Paul Delrue holding the copy he bound; he had incorporated small strips
of marbled paper in the binding in order to allow the book to open flat, see above. Paul
has a website here-
It was also very poignant to see the work of
David Sellars on show. David had been a member of our group and had recently
died. He left an amazing legacy of work and so his spirit will live on in his
bindings. You can see more of his work here-
We also had the opportunity to see The
Anthony Dowd Collection of modern British bookbinding’s. A book of patterned
papers fascinated me, especially the decorative papers by Ravilious.
Later in the month I had a special little
helper join my “studio” (a.k.a. dining room)
Our grandson was on half term and came for
a visit. We enjoyed showing him nearby Little Moreton Hall, I think he enjoyed
running around the garden best of all.
We also celebrated the first birthday of
our granddaughter, how time flies.
I managed to do a little work in the midst
of all this gallivanting, some Christmas themed commissions for greeting cards
and also I made a start on some new prints.
The tiny wood engraving has yet to be
printed. I am frustrated by my lack of engraving skills and can never manage to
achieve what is in my head.
The green vinyl is an alternative to lino, it cuts nicely; this is my first attempt which was inspired by one of the illustrations I did for “Can it be True?” I am still waiting for the opportunity to print it.
Later in the month a very dear friend came
to visit and we went to Rode Hall to see the Snowdrop Walk. This private house
was once host to Walter Crane who often stayed as a guest. Whilst there he
painted the family pets and the lake. Rode Hall is close to the potteries and I
believe Walter Crane was introduced to important ceramic manufacturers
resulting in his designs being used in their decoration. Apart from the
wonderful gardens Rode Hall has an important collection of art, books and ceramics.
Before we returned home we bought some
snowdrops to plant and some kitchen garden produce - six new laid eggs in such
pretty colours it was a shame to eat them. The sky blue one was a treat!
My name is Valerie Greeley. I am a minaiture artist, surface pattern/textile designer and illustrator. I have a special interest in the book arts including illustration, bookbinding, printmaking and artist books. I also have an interest in quilting, nature and bumblebees.